National Youth Photography Exhibition -Youth · Perspective

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There is a medium and clue in physical space and visual space -the transmission rod, which runs through the entire group. The rod is very monotonous, daily and tedious, and is not even noticed by everyone. However, the whole group of "Masters" can follow this clue to continue to shoot, and can see the author's efforts to control the atmosphere and emotional changes of the photos, and strive to present a complex environment and visual rhythm under a variety of light and climate.


——Cai Meng, director of the 4th National Youth Photography Exhibition, Director of the Imaging Arts Center of the Academy of Fine Arts Museum


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This group of photos show the current situation of the construction of the motherland's border power grid through the long -term recording of the transmission rod of Sichuan, Tibet, Tibet, Yunnan and Tibetan, and Xinzang Line for a long time. The silver wire between the transmission rod stretches thousands of miles, like a section of the five -line spectrum, and continuously send the gorgeous music to all parts of the country. In the historical process of reform and opening up and comprehensively accelerating the construction of a well -off society, they all play an important role.


——The 4th National Youth Photography Exhibition Special Unit Photography Tutor Recommended Photography Newcomer Yu Yue


About judge instructor


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Cai Meng     PhD in art, curator.


Born in Shenyang in 1978, researcher at the Academy of Fine Arts Museum, and director of the Image Art Center. He has worked at the China Academy of Art and Guangdong Art Museum. Both his masterpiece and Bo Tu dissertation take the research direction of contemporary Chinese photography since 1976. Starting from the perspective and methods of art history research, the internal logic and its corresponding artistic thought and external cultural issues of the development of contemporary photography in Chinese contemporary photography are discussed. The exhibitions that have been planned include "The Third Guangzhou International Photography Biennale", "Observation · Jing View", "Original" Roger 100 "," CAFAM Future Exhibition "," Beijing International Photography Biennale "," Chinese Contemporary Photography: 2009-2014 " "China Photography: Since the 20th century" Byron: Absurd theater "," Peach Li Hua Cand "," Gu Yuan Painting Exhibition "and other exhibitions. In 2013, he launched the first domestic photography theoretical award "Link Photography Theory Scholarship" and served as an academic host.