俞跃_俞跃摄影_俞跃影印_yannick摄影

Born in 1987, I have been living in Shanghai for a long time. I focus on landscape, concept and philosophical visual art, and explore the existence and transformation of people and objects through video and installation.

Training: The China Photographers Association's Training Program for Middle-aged and Young Photographers, the Beijing Photography Correspondence College's Training Program for County and City-level Photography Talents, the National Training Program for Cultural and Artistic Backbones of County and City-level Literary and Artistic Federations, etc.

Solo Exhibitions: National Youth Photography Exhibition(Mentor recommends photography newcomers), Pingyao International Photography Festival, Dali International Photography Exhibition, Lishui Photography Festival, Beijing International Photography Week, Shanghai International Photography Art Exhibition(Invitation Exhibition), Shanghai Photography Art Exhibition, Shanghai M50 Creative Park Retrospective Exhibition, Silk Road Image Expo, Ningbo International Photography Festival, Xishuangbanna International Image Exhibition, Zhangjiajie Photography Exhibition, etc.

Joint Exhibitions: International Visual Media Fair (Hamburg), China-UK International Art Exhibition (London), Korea International Photography Festival (Seoul), China Contemporary Photography Exhibition (Daegu), Photo Shanghai Art Fair, Shanghai Hai Shang Cultural Center, Shanghai Putuo Cultural Center, etc.

Introduction to Movement

They are solitary sentinels standing against the sky, adorned in robes woven of both pride and humility, their austere lines concealing an infinite sincerity toward the world. They are the embodiment of ordered beauty, yet daring to embroider threads of individuality into the tapestry of convention. With bodies of steel, they embrace wind and frost, while within them glows a fervor intense enough to ignite the night.

These are not merely iron pillars erected upon the earth—they are murmurers of time, each line etched with the rise and fall of human civilization, silent witnesses to the long river of history. In the subtle contest between humanity and nature, they stand wordless, yet through their very existence, they narrate an epic of adaptation and transformation, carving a path within the torrent of the era that both conforms and transcends.

Like an unfinished movement in a hall of art, each segment carries a profound insight into the complexity of life—where light coexists with shadow, strength merges with tenderness. In a silent language, they speak of the contradictory yet unified duality within every soul, allowing every gazing heart to find resonance, to feel that timeless charm which crosses ages.