Yu Yue's theme of the work of this exhibition is power equipment. He wrote in his self -report: "The decomposition and reconstruction of power equipment makes its artistic expression changes in rhythm and rhythm. This change is through continuous, staggered, gradient, rotation, mutation, freedom and other forms to make the arrangement combination, so that to make the arrangement and combination of forms of formation, so that to make the arrangement combination of forms of arrangement, so that to make the arrangement combinations such as the arrangement and other forms of arrangement, so that to make the arrangement combinations such as the arrangement and other forms of arrangement, so People have a visual impact, causing a strong sense of space and rhythm, so that the static picture has become a rhythmic image. "

Therefore, "power equipment" is just a carrier. What Yu Yue really wants to shoot is "a rhythmic image". Since 2021, the project has reached more than 2,000 kilometers.

At the moment when people contact and feel the shooting object, this object is placed in a understandable relationship system. In an ideology, they have their own position. The ideology referred to here refers to a series of propositions about the nature and social world. These propositions are generally accepted in a specific society to describe the actual nature of the world and their events. Ideological form is the total reality of daily life, the preset decision of personal consciousness, and the common reference framework for personal action projection.

Of course, the world is not defined according to whether we can find images in it. However, this world is defined according to the visible appearance of the world when we find the image in it. If we have inevitably live in the world of universal image, how can images help us re -establish our understanding of the world?

We can understand the correlation between the cutting thoughts and objects specified by the truthful theory. According to the perspective of whether the image exists, whether it can be visible, and whether it is allowed to be seen. These "world forms" may not be reality, but may be "inferred".

People are the most important dimensions of images, so the image also constructs a boundary with a cognitive border. Each condition means a relationship, and each boundary has a close relationship with the existence of people. Each substance in the world is functional and is classified as an object variant and integrated into an object system. The greater the range of object variants, the richer the possibility of semantics. The reason why the image exists is that people need to overcome the world he survives is essentially a very narrow world, and it is within a limited boundary. This is why people continue to produce images.

As a result, we read these works of Yu Yue. Whether or not the meaning of the context is directly understood, the photographer himself never tried to make any "narration" annotations, but to let the audience understand and perceive repeatedly. What attracted him to attract him is part of the things in front of him, a structured world. They seem to be able to read it again, and they have a strong sense of scene, spreading the urban and rural landmarks and compatible images, all of which make these works present multiple meanings.

What Yu Yue emphasizes the theme of natural or urbanization that is changed by human beings. He puts the more rigorous forms and instantaneous documentary characteristics. The situation, time and space seem to stagnate there, waiting for people to be full of uncertain future.

Valery once said that if we intercept a word from the sentence to give an explanation, we may encounter unexpected difficulties. Only when the word returns the statement, we understand its meaning. That is to say, it is not enough to check the dictionary, and it is important that the relationship between the word resurrection in the sentence is in the sentence. The same is true of photography. The "power equipment" in Yu Yue's photo further proves that the relationship around a key object may exist in the context of the entire era, and these relationships are more reliable notes.

Photography is not any given thing, but a verb, an experience process, and photography can only be diverted and noisy. Photography is not simply making images, not to receive the world's reflection alone, but to actively give the world something.

Giving something to the world, Yu Yue named him "Movement". "The creature of creatures is also connected." The simplest expression and transmission of art and life are all in rhythm and breath. Jazz pianist Selonismmm Monke said very well: "The so -called new music will not be there. Please see the keyboard, all the music sounds have already been arranged there. As long as you have a solid meaning injecting meaning into the meaning into A music sound, it will make a different kind of music. "

When a photographer really entered the earth, it really entered a certain land and went to exploration, it really made people's inner vision open. Yu Yue's "Movement" series put forward strong visual evidence for "various environments created by human beings", showing people as the main body of urban and rural life and society. Essence

 ——Jiang Wei

Vasili Cuming Sky said in "On the Spirit of Art": "Colors are like piano keys, eyes are like mallets, and their hearts seem to be full of string piano. The artist is the hand of playing the piano. Make people's spiritual waves and repercussions. "

The decomposition and reconstruction of power equipment has made its artistic expression changes in rhythm and rhythm. This change through continuous, staggered, gradient, rotation, mutation, freedom and other forms of arrangement can cause people to have visual impact, resulting in strong strong visual impact, which causes strong strong visual impact, causing strong strong The sense of space and rhythm, so that the static picture becomes a rhythmic image. Elements and different backgrounds are interdependent, and each other is the ability to infection and regulate the emotions of the viewer. This characteristic and impact will run through the entire work.

The "sea chapter" means that the physical space where the shooting object is located is limited from the long timeline, making it more regional. Since the project was established in 2021, the shooting mileage has reached more than 2,000 kilometers. "On the road" has become a normalization, trying to complete the phased image output through this long -term accumulation.

——Yu Yue

About the curator

Jiang Wei    photographer critic, curator, publishing planner.

He serves as the judge of the Guangzhou International Photography Biennale, the National Youth Photography Exhibition, and the final judges of the Chinese photography annual rankings. Exhibition, Shanghai Municipal Photography Art Exhibition, Zhejiang Photography Golden Awards, "Xu Xiao Bing Cup" China Documentary Photography Exhibition, Chongqing Municipal Photography Art Exhibition, "Boqi Cup" China Creative Photography Exhibition, Jimei China New Scenery Top The judges of the exhibition, China Luoping · New Scenery Photo Film Festival, the "Lang Jingshan Cup" China New Painted Photography Biennale, Yibin Human Geographic Photography Annual Exhibition.

Won the Outstanding curator Award of Lianzhou International Photography Annual Exhibition, the best curator award at the Shanghai International Photography Festival, the Best Caster Award of the Lishui Photography Festival, the Outstanding Mentor Award of the Shanghai Youth Photography Art Exhibition, and the Chinese Photography Golden Awards theory Comment award.

At the Chinese Academy of Fine Arts, the Chinese Academy of Fine Arts, the Shanghai Jiaotong University Media and Design Institute, the Zhejiang Photographers Association, the Suzhou Photographers Association, the Zhejiang University of Finance University, Shanghai Art Museum, Shanxi Media College and other places. Since 2007, he has been a series of "Documentary on the Paper" series of imagery series. He has published more than 50 Chinese and English book albums.